Alpine condemn ‘hateful’ abuse of Colapinto and Ocon over F1 crashes

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Through this vivid aesthetic, Outcome dabbles in questions of fame, acknowledging the village of people it takes to support (or protect) a movie star, as Reeves plays a man full of reluctant apology. It's a crowded space, movies seeing major stars explore fictionalised versions of themselves, and Reeves playing on his nice guy reputation makes for a strong drawcard. Though the film could have dived even deeper, it's a shimmering pool for consideration.

Is it somewhat disquieting? Equally true.